Chris Fowler International in London is moving forward its plan
to concentrate its production on B2 format offset printing and
switching from Muller Martini to Heidelberg for its
saddle-stitching line up.
Already equipped with three B2 Speedmaster SM 74s, two
five-colours and a two-colour, it is taking delivery of a CD
74-5PLX to replace its remaining two SM52-4 B3 presses in
February next year.
The CD version Speedmaster has been selected for its greater
rolling power rather than the additional stock-handling versatility
of the press. As a five-colour perfector it will have flexibility
which the company needs because it handles a high volume of 2:2
overnight research papers for the City but also full colour
commercial work for a wider audience, including major insurance,
healthcare, banking and automotive companies.
The coater is a first and is selected for both aesthetic and
productivity reasons. Managing director Kevin Eyers says that the
comparative performance of the new press and the two existing
five-colours will be closely monitored and will influence future
buying decisions. That said he says he plans first to "sweat the
assets more", moving to 24 hour, six day working from the new year
with the hope of going to seven days after that.
The company has just added CIP 3 connectivity between its
existing five-colour press and its prepress department and this
will be extended to the new press using Prepress Interface when it
is installed in February. Run lengths are relatively short and
deadlines tight so makeready times are all important and digital
workflow enhances that by presetting ink ducts and register
automatically. This introduction goes hand in hand with Chris
Fowler's recent award of the IsoLitho colour management
accreditation.
Chris Fowler International has also taken Management Gate to
link its home grown MIS systems to the shopfloor so that it can
suck up accurate real time data collection. It is budgeting for a
new third party MIS system next year.
Two Muller Martinis, a 321 and a Minuteman, are going out to
be replaced by a new Stitchmaster ST350 six-station machine with a
cover feeder and a refurbished ST250 in November/December of this
year.
"We looked at the Muller Martini Bravo and benchmarked it
against the ST350 but felt that the Heidelberg machine was much
more versatile and user friendly," says Mr Eyers. "It also fits
with our strategy of selecting to work with a smaller number of
suppliers in a close working partnership. By adding the ST250 as
well we can ensure all our operators are working on a single
technology which gives us greater flexibility. There will be a
speed increase and a waste reduction with the move to Stitchmasters
and this fits in with the work we have underway to secure ISO 14001
environmental accreditation. We also run Polar guillotines and
Stahlfolders so with the exception of perfect binding all of our
litho equipment will now be supplied and supported by Heidelberg."
Another strategic partner Kodak which currently provides
four, soon to be five, Digimasters for black and white production,
will install Chris Fowler International's first colour digital
machine, a five-colour Nexpress 2100, in December.
Chris Fowler International in London generates a turnover of
about £7.5m currently but hopes to reach £8.5 to £9m
by 2006/7 with the new equipment on board and the hours extended.
For further information please contact:
Diana Thompson, Plus Point PR Ltd, on 01494 817178
diana@pluspoint.co.uk
Or
Irene Duffy, Heidelberg UK, on 020 8490 3675
irene.duffy@heidelberg.com